[ah. . . well. Akira's expression turns thoughtful at that, even as he affixes his gaze on the pathway ahead of them]
. . . I think I get it.
[the one thing Akira super studied up upon after becoming a wild card: MYTHOLOGY!!!]
Izanagi. . . the creation god who traversed the land of Yomi-no-kuni to retrieve his wife, only to find her return impossible. He then betrayed his promise not to look at her, and gazed upon her rotted form. In her rage, Izanami threatened to kill one thousand of his people every day. Izanagi countered by promising to that one thousand and five hundred would be born every day.
But it wasn't until after he returned from Yomi that Izanagi decided to remove all uncleanliness from his body by bathing in the river Ahakihara in Tachibana no Ono in Tsukushi.
So maybe it's something like that?
[he's trying real hard to make sense out of this symbolism, bare with him]
Satanael. The fallen angel that rebelled against god-- Yaldabaoth-- granting humanity the knowledge and power to liberate themselves from him. Satan, Lucifer, the devil, and so on and so forth.
Kind of. Basic concept, but they helped us get through the area we were fighting in. Without them, it would have been impossible to see what was around us.
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What’s the difference? Other than color scheme.
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It's a little hard to explain, but I feel I was walking towards him all along and he was just waiting for me to realize it.
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. . . I think I get it.
[the one thing Akira super studied up upon after becoming a wild card: MYTHOLOGY!!!]
Izanagi. . . the creation god who traversed the land of Yomi-no-kuni to retrieve his wife, only to find her return impossible. He then betrayed his promise not to look at her, and gazed upon her rotted form. In her rage, Izanami threatened to kill one thousand of his people every day. Izanagi countered by promising to that one thousand and five hundred would be born every day.
But it wasn't until after he returned from Yomi that Izanagi decided to remove all uncleanliness from his body by bathing in the river Ahakihara in Tachibana no Ono in Tsukushi.
So maybe it's something like that?
[he's trying real hard to make sense out of this symbolism, bare with him]
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You've done your research.
[ damn, Akira. He's impressed. ]
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Considering what we have up here, didn't you?
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Yours was one I didn't know, though.
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[but then he answers, casually but honestly]
Satanael. The fallen angel that rebelled against god-- Yaldabaoth-- granting humanity the knowledge and power to liberate themselves from him. Satan, Lucifer, the devil, and so on and so forth.
[he sounds so nonchalant as he says this]
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Yeah, that seems like it'd suit you.
[ Souji, you've known the guy for less than a day. ]
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You say that with such confidence already, and we've only just met.
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I didn't realize your Shadows were so. . . different, I guess. I've never known them to be any other way.
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Maybe it's not just the Journey that's different, but the obstacles themselves...
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My clothes change to protect me from the distortions of the Palaces we enter. It's a manifestation of my "will of rebellion."
[in case Souji was wondering if he really was a thief or not, you know]
I think you're right about the obstacles being different, though. All three of us have different summoning methods. You noticed, right?
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... Well, I don't think it'll be too important here. I might not need it at all.
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Well, now you've got me curious.
[don't say something and then cut yourself off senpai!]
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[ mildly. ]
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[pinches the edge of his own glasses and pulls them forward to the tip of his nose]
Like this?
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[. . . like an item that helped them see through bullshit to the truth of the matter. . .]
[kind of similar to Izanagi's journey into Yomi, when he thinks about it]
Tell me about the area you were fighting in.
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A fog-filled world inside the TV.
[ Well. Let's start there. ]
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Huh.
[yep. just. huh]
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[ Souji had a fun year. ]
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What? Why?
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